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40mm T2.1 \ CF 40” \ 10.5 lb \ OD 156 \ S35
50mm T2.1 \ CF 40” \ 8.2 lb \ OD 136 \ S35
75mm T2.1 \ CF 40” \ 9.6 lb \ OD 136 \ S35
100mm T2.1 \ CF 40” \ 13.8 lb \ OD 125 \ S35
(Call or Email for pricing and availability)
Based on Soviet era LOMO “Round Front” vintage lenses, Elite Anamorphic IV lenses prioritized image over all else during their design at the turn of the century in Russia - resulting in fast, sharp, and well corrected lenses with softer oval bokeh layered beneath excellent anamorphic flaring - resulting in beautifully balanced emotional images, but also large and heavy physical lenses. The 50mm and 75mm are approachable for steadicam and handheld, but the 4-lens set is generally better suited for tripod and dolly work. Because the size and weight, Elite Anamorphics offer a rarer used look in modern filmmaking - a hidden gem for cinematographers looking for unique and excellent images.
40mm T2.1 \ CF 40” \ 10.5 lb \ OD 156 \ S35
50mm T2.1 \ CF 40” \ 8.2 lb \ OD 136 \ S35
75mm T2.1 \ CF 40” \ 9.6 lb \ OD 136 \ S35
100mm T2.1 \ CF 40” \ 13.8 lb \ OD 125 \ S35
(Call or Email for pricing and availability)
Based on Soviet era LOMO “Round Front” vintage lenses, Elite Anamorphic IV lenses prioritized image over all else during their design at the turn of the century in Russia - resulting in fast, sharp, and well corrected lenses with softer oval bokeh layered beneath excellent anamorphic flaring - resulting in beautifully balanced emotional images, but also large and heavy physical lenses. The 50mm and 75mm are approachable for steadicam and handheld, but the 4-lens set is generally better suited for tripod and dolly work. Because the size and weight, Elite Anamorphics offer a rarer used look in modern filmmaking - a hidden gem for cinematographers looking for unique and excellent images.